In this photo story by Olesya Parfenyuk, featuring Riley Woodell wearing AISTILCA, presence feels both deliberate and estranged. There is a refusal of ease in both garment and gesture. Movement is reduced to the minimum, as if the body were learning to exist within imposed limits…
“Surface Memory” Chapter 01 explores how humans, objects and environments retain traces of time. The collection translates this idea into clothing through structured silhouettes, restrained geometry, and natural fabrics that hold subtle marks of movement and wear…
Ukrainian artist Ohii Katya photographed by Shuto Kitagawa in Berlin, Germany.