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From Rick Owens: “If Venice, Italy, has been my summer retreat then Luxor, Egypt, has become my winter retreat. The vastness and scale line up with the Cecil B. Demille fantasy of Egypt in the movie The Ten Commandments (art directed by Paul Iribe!), which I watch nightly while working out with Brutalismus 3000 pumping through my earphones. Merging real…”

There were spillover crowds at tonight’s Yohji Yamamoto show. Maybe it’s because Yohji is in the air again, with younger designers reexamining his 1990s oeuvre. Maybe it’s because Yamamoto turns 79 next week and there are questions about retirement and succession. The designer emerged for his bow as spry as ever, so perhaps such talk is premature…

This year’s edition of Colombian Fashion Week, Colombiamoda made a strong commitment to conscious fashion, where brands, designers and young talent demonstrated through unique pieces why it is so relevant to talk about this topic in this kind of events. There were four capsule collections that were presented on the runway, each one with 12 looks…

Disconnected from past routines and facing an uncertain future, we live in suspension, unable to avoid uncomfortable truths, like the unequal impact the pandemic has had on women, many of whom have had to abandon their careers to care for their children. Yohji Yamamoto has always been drawn to 19th-century modes and referenced corsets, hoops…

From Rick Owens: “Gethsemane was the garden Jesus prayed in the night before the crucifixion; a place of uneasy repose and disquiet before a final reckoning. We’ve all been living a tense period in history waiting for a resolution, be it catastrophic or rational, in a suspense that feels almost biblical in its drama. My garden is the beach in front of my…”

From Rick Owens: “Gethsemane was the garden Jesus prayed in the night before the crucifixion; a place of uneasy repose and disquiet before a final reckoning. We’re all living a tense period in history waiting for a resolution, be it catastrophic or rational, in a suspense that feels almost biblical in its drama – primitive and profane. Jackets and coats in leather and shearling…”