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Nicéphore Imanuür introduces his first collection, “Mitosis”, a study in cellular duplication rendered through silhouette, material, and controlled distortion. The collection proposes a body in division, an identity fragmenting, replicating, and persisting across new configurations, using the biological…

Founded by Daisuke Takei in 2015, prasthana is a Japanese fashion label whose identity is inseparable from its creator’s dual existence as both designer and Buddhist monk. The name itself, “prasthana,” is drawn from Sanskrit, meaning “departure” or “journey,” a fitting reflection of…

In the very early stages of the collection, Leon Emanuel Blanck found himself contemplating life, reflecting on the realities of being a designer and maintaining a fashion label. This led to a question: what does it mean to compete with long-established brands and fashion houses that…

For Spring/Summer 2026, Sandrine Philippe experiments with red, drawing inspiration from the tonality of blood, wine, fruits, and beyond. The highlight of the collection is a candle-waxed blazer jacket featured in the menswear line. The red leather, naturally dyed in a vivid shade…

Junya Watanabe’s Spring/Summer 2026 women’s show in Paris reminded us of the power of black, not as uniform but as structure. The darker looks, presented toward the end of the show, revealed his instinct for precision and transformation, where the act of construction became…

Yohji Yamamoto’s Spring/Summer 2026 show in Paris made black once again the starting point and the entire vocabulary through which everything else was expressed. The collection was built from a series of layered constructions that shifted gently between the…

From Rick Owens: “This women’s collection is named “Temple”, as was the men’s collection shown in June, coinciding with the opening of my retrospective, titled “Temple” of Love at the Musée Palais Galliera right across the street. A retrospective summons up thoughts of…

Matières Fécales returned to Paris Fashion Week with their sophomore collection, presented at Place Vendôme and titled “Hannah”. The show was conceived as a tribute to co-founder Hannah Rose Dalton, whose uncompromising presence and expression have long been central to the…

“Every catastrophe carries within it a rebirth”. With “Scorie”, Chronos Corps envisioned a world rebuilt from the fragments of collapse, where the scars of catastrophe became the vocabulary of dress. The collection translated remnants of a post-apocalyptic terrain into silhouettes…

Hikari no Yami’s Spring/Summer 2026 collection, “Chapter 9: The Invisible Man”, confronts the uneasy space between recognition and erasure. Drawing on Ralph Ellison’s “The Invisible Man” and Frantz Fanon’s “Black Skin, White Masks”, creative director Jakarie Whitaker examines the…